Image Journeys: The Warburg Institute and a British Art History
Edited by Joanne Anderson, Mick Finch & Johannes von Muller (2019)
ISBN 978-3-86328-171-7

Published by Dietmar Klinger Verlag, Passau Germany.

Essays by Joanne Anderson, Anke Te Hesen, Johannes von Muller, Andreas Beyer, C. Oliver O'Donenell, Mick Finch & Fabian Roderer

Painting as Remodel
edited by Mick Finch, Laura Lisbon and
Daniel Sturgis
Volume 5, Issue 1, 2019

The edition revisits Yves-Alain Bois’ ground breaking book, published in the 1990s. A amongst a series of key translations is Hubert Damisch’s essay ‘ Painting is Truly a Three’, published for the first time. This essay informed Bois’ thinking and also provided the title ‘Painting as Model’. Also included is a visual essay by Christian Bonnefoi. Details of the launch to follow and see the image of the contents page.

The Journal of Contemporary Painting

Bilder Auf Wanderschaft

Exhibition of archive material related to the Warburg Institute's exhibition of 1941, English Art and the Mediterranean. Curated by Joanne Anderson, Mick Finch & Johannes von Muller

Zentralinstitut fur Kunstgeschichte, Munich
30 May - 21 June 2019

Simon Hantai
edited by Mick Finch, Laura Lisbon and
Daniel Sturgis
Volume 1, Issue 2, 2015

Archival Text - The Hantai Donation
Articles - Hubert Damisch, Georges Did-Huberman,
Jean-Luc Nancy and Franços Rouan (in English
translation for the first time).

Amélie de Beaufort, Stuart Elliot, Joe Fyffe,
Robin Mckay and Majorie Welish.

Interviews - Eric de Chassey and Daniel Buren

Round Table discussion - Philip Armstrong,
Stuart Elliot, Mick Finch, Isabelle Monod-Fontaine,
Andy Harper, Laura Lisbon, François Rouan and
Daniel Sturgis

Visual essay - Andy Harper.

The Journal of Contemporary Painting

Art, enseignement & médiation:
Passeurs : enseignants & médiateurs -
Exposer/Démontrer. Les écarts de la recherche en art.
Published be Opemap, 2018.

An article of a paper, Recherche: un mode d'emploi, given at the Académie Royale des Beaux-Arts in Brussels on 23 June 2016 by Mick Finch in a conference entitled 'Exposer / Démontrer – Les écarts de la recherche en art'. The article is in French, as was the original paper, and was about the relationship between studio practice, teaching, projects and networks.

Opemap

The Journal of Philosophy of Photography
edited by Mick Finch and Martin Westwood
Volume 8, Issue 1-2, 2017

This issue contains papers that were first given at a symposium, 'The Warburg Haus: Apparatus, inscription, data, speculation', that took place at the Warburg Haus in Hamburg, organised by Mick Finch and Martin Westwood, in June 2016.
Contributions by:
Judith Clark, Rich Cochrane, Delphine Etchepare, Caroline Evans, Maria Felixmueller. Mick Finch, Uwe Fleckner, Igor Galligo, Anke Henning, Thomas Hensel, Hans Hoenes, Markus Krajewski, Bernard Stiegler, Johannes Von Muller, Martin Westwood

The Journal of Philosophy of Photography

The 'Tableau Project'
edited by Mick Finch
Volume 12, Number 1, 2013

Featuring the research papers from the
'Tableau: Painting Photo Object' symposium at
Tate Modern.

Includes the article 'The Tableau Project' 'by Mick Finch
and papers by Cristina Cojanu, Moyra Derby, Adi Efal,
Francis Gaube, Atsuhide Ito, Laura Lisbon, Cédric Loire,
Andrea Medjesi-Jones and Alexandra Oliver.

The Journal of Visual Art Practice

Mick Finch
talking about his work,
1985 - 2009

Organised by
The International Centre For Fine Art Research
at Central Saint Martins, Spring 2009.

Mick Finch
The Technical Apparatus of the Warburg Haus
2015

Recording of a paper given by Mick Finch for the
workshop event 'Headstone to Hard Drive III. Spolia,
Relic, Data', organised by Martin Westwood, at the British
School at Rome, Friday 26 June 2015.